Ever Tube

23 March 2009

Four Shadows

If you don't visit my other sites, you may not understand why I'm nearly finished the process of abandoning this blog. It was always planned as a three-year project - and I do have an appropriate finale lined up - but most of the action has been over at Inlanders (a place where you can read about my novel) and Nurse & Patient (a place where you can listen to my band's rough demos). When Mini Nerd goes the way of the dino, that's where you'll find me. stephenreese.com will remain the portal to anything I'm doing on the interwebs, and of course you can look me up on Facebook.

The book and the band are occupying most of my free time, with exciting results. Nurse & Patient is a four-piece at this point; we're starting to sound pretty decent at rehearsal. Query letters for Inlanders are out; I'm in the midst of intense rewrites, illustrations (by lovely Lynnie), and one or two manuscript requests.

For that reason, I'm handing off the reins to my trustworthy support crew. They've valiantly protected the Sandbowl (and this blog) from Tube invasion for well over a year now. But I think a few might exchange guard duty for posting privilege - and posterity. I leave the control console in their able hands (claws, tentacles).

Before I go, here's a video I particularly enjoyed seeing this morning because there's a poem in my book that can be read backwards and forwards, too.

This one's better:



Thanks to James for the link.

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20 February 2009

Electronica

Happy Friday everyone!



And if you liked that, you're gonna love this:



Thanks to MRK!

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19 November 2008

Nurse & Patient

Falling fast toward terminus 2008, I'm seeing this year as one of dreams come true.

I finished a novel.

I found a partner.

I started a band.

This last with my friend Rudy, who handles guitars while I drum and sing. We've written almost 30 songs together, and now we're in the process of narrowing down our list for an album of 10 tracks (my preference) or 14 (Rudy's) that rock and roll best.

Our collaboration's called Nurse & Patient: founded this summer after mutual job resignation, deepened through tumultuous relationships and breakups, and culminating with a month-long push to lay down recordings of what we've created so far.

Here's a small taste of what's on the way from us:

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03 November 2008

Barney Lives!

Top search terms finding Mini Nerd this week:

hollowen deckerations
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e.row.rowtype == listitemtype.item
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steve reese passes away

A disturbing series of tubes!

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16 September 2008

Keep On Turnin'

Ah, karma.

You're a bitch. And a queen.

Allow me to complain and pay tribute.

End of summer was one giant shitshow for me and mine. Hopefully what 2008 has left to offer turns it around. To get things started, I begin a new job in a few hours. Last time I worked in Toronto was oh, nigh on 12 years ago, and then it was on worlds and creatures that now populate the novel I'm struggling to finish.

This time it's for a client that was my bread and butter when I first put words to screen for that same novel (i.e. more than one circle is closed today). It's yet another reminder - and my only consolation, at the moment - that the wheel does turn. Madame Karma remembers, and rewards or punishes as she sees fit.

I've had my share of both.

And, nuff respek to CCR for the title of this post, but I leave it to songstress Alison Goldfrapp (whom I didn't see perform last night), to bring 'er home:

"Everything comes around
Bringing us back again
Here is where we start
And where we end."

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18 July 2008

The Search For Schlock

Top search terms finding Mini Nerd this week:

filthy tube
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An effective series of tubes!

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Someone For Everyone

I'm often wrong. Sometimes it's a happy thing.

As in: "I knew I'd enter into a relationship this year, but I was wrong about the species of my co-conspirator."

Wrong!

Cinder's not the only lady in my life now.

The other girl's Italian, not Russian. She knows a lot of -isms, runs in the Boston Marathon next year, loves dancing and cooking, and is as crazy about health and fitness as I am.

Ergo: I'm crazy about her.

But Cinder found a lady too! Now she spends her evenings kissing and tussling with the equally cute Manju, a Hindu kitty with zebra stripes and giant anime eyes!

Yet another new pairing made all the above possible: that of myself and my good friend Rudy, who's hanging at the Outpost with me while he loads up on freelance design work and considers apartments in Hamilton. He cooks, cleans and is great company. There's frequent chess and non-stop Black Keys. One day soon I will force him to play guitar for an electronic track of mine that wants to be a blues song.

It went like this: we quit our jobs together and somehow began a new era. And so it happens that in the first half of 2008, I've managed to cobble together a little family of lovely people and animals for myself. Whaddayaknow!

COMMENCE LOLCATZ:


Im in ur chair
Warmin ur pilloz



Whoze in ur chair?



Fine, im in ur sink



Wearin ur ushanka



Im on ur balconi
Stealin ur sun



Im on ur cloze
Posin lik model



Im still ur cat

Rite?

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20 May 2008

Finding Fantasy

Top search terms finding Mini Nerd this week:

filth.tube
if you dig this, then you dub this and its all about the nerd life
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dion phaneuf's family
online games when you beat this guy up or tickle him to get him to tell the truth
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A pleasing series of tubes!

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17 April 2008

Where In The Web

Top search terms finding Mini Nerd this week:

filth tube
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if (e.row.rowtype == listitemtype.item | e.row.rowtype ==listitemtype.alternatingitem)
ambo 1000 years and 1 day lyrics
carolyn reese red tube

An admirable series of tubes!

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28 March 2008

Lost And Found

Top search terms finding Mini Nerd this week:

filth tube
carolyn reese tube
agnes cactus
mega nega
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An excellent series of tubes!

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20 March 2008

C.R.E.E.P.Y.

For best results, play these two videos simultaneously:



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23 February 2008

You're My Saturday

I honestly have no idea why I'm so late to the party on this one, but I'm thrilled to show up just in time for the release of another superb album from my new favorite pop band, Goldfrapp.

Vocalist Alison (Goldfrapp) sang along with three of my cherished beat-makers (Tricky and The Brothers Orbital) back in the day, so again, there's no reasonable excuse for my not noticing and following her career sooner.

In 1999, while I was busy enacting chaos magic to Orbital's Middle of Nowhere, Alison and composer Will Gregory formed Goldfrapp and signed with Mute Records.

Almost a decade later, my Dad introduces me to the TV series Life, whose kickass music supervisor uses Goldfrapp's "Ooh La La" to sex up a key scene. I realize I've been living in a cave and yank my head outta the sand to do some listening.

Within a week, I'm a slavering fan.



Friends put up with me railing on about the creative power of duality, all the way from cell division at the goopy, grimy microscopic level on up to the heavenly firmament and its castoffs estranged here on terra firma. Truly amazing music doesn't escape my pet theory, neither: get the right two people together and real magic happens. I add Will and Alison to a long list of perfect matches whose sounds have scored my life since childhood, a thread I follow from Dave and Annie through to Vince and Andy, Bjork and Nellee (and later, Mark), Paul and Phil...even musical slut Dr Alex and his finest muses three: Thrash, Hughes, and Fehlmann.

Speaking of The Orb, their new Dream was a lovely return to dub fun a few months ago. And pre-New Year, Paul Hartnoll left me dazed and overwhelmed with his amazing solo debut The Ideal Condition. But Goldfrapp arrives for me as a ready-made soundtrack to what is, so far, shaping up to be a wonderful 2008. The new LP Seventh Tree speaks of spring to my ears, for starters - but I can't wait to listen to this record deep in the heat of summer, where I know its jaded/hopeful heart resides.

Save your cynicism, if you got some. I'm given to hyperbole when I'm this happy. And if music is a way to formally structure emotion (as I've argued), then this is what joy sounds like.

I say: crank that shit up.


"A&E", the unbelievably beautiful new single.

Listen to Goldfrapp at my Anywhere.fm!

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01 August 2007

When You Find A Lover



When I die, I'll check outta Dodge having sung more Erasure songs than anybody else's. I've crooned their tunes to the ladies, harmonized alongside friends and family, belted out the oldies and the newies under that ever-forgiving private stage light of the shower head (the true test, instrumentalist Vince Clarke and vocalist Andy Bell believe, of any pop ditty worth a single release).

But these guys don't just write and perform the catchiest Top 40 contenders of my preference. Their album-only tracks are just as good, if not better. The b-sides are instant classics. By last count, this pairing of gifted analog synthesist and gay-outta-the-womb party animal with an angel's vocal range, have created in the multiple hundreds of charming arrangements that stick in your heart and stay there despite all the years did their damnedest to wear you down into a jaded cynic who doesn't believe in true love.

Well, Erasure have been at their game more than two decades.

And I still believe.

Suffice it to say, then, it was one of my life's greatest honors and privileges to download the master tracks for their upcoming single "When A Lover Leaves You" and be encouraged to work up my own interpretation for a contest that'll see the winner's remix officially released. More fun, that the whole batch of us hopefuls (235 total) have our personal takes posted online for other fans to enjoy. There's even a friendly competition amongst entrants to see who wins the popular vote, though this won't determine the top mixist - the band chooses a favorite themselves.

I was lucky I chanced to be browsing Erasure a couple weeks ago and found word of this promotion. Lucky too, I finally had a Mac of my own and could use the sponsored software (GarageBand) to schlep together a mix (I'd have been more comfortable goofing around in my alma mater Ableton Live, but GarageBand - for all its limitations - is a robust little novelty app). Most importantly, I was fortunate to be in the right emotional place for getting across a melancholy rendition of the track - my favorite, it happens, from the new album Light At The End Of The World.

Life's funny that way.

For the record, let it be known that if I had the master tracks for Erasure's entire back catalog to remix at my pleasure and discretion, I might never leave the house.

-Stephen Reese, #184, "When A Lover Finds You"

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03 July 2007

D.M. Erodabbart Stewasure

This one's been on the 2Do list for a while. Now seemed like a good time to get it out the door. A little 70s stadium flash, some 80s heartbreak, a dollop of 90s rhythmic connective tissue for good measure (har har). If the standard minimix is a duel, I'd call this one a tag-team cage match.

Depeche Mode, Erasure, Rod Stewart, ABBA: FIGHT!

(For Leslie Burke, alive and well. Here's your retro dance party!)

Personal Breath of Super Guys

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01 July 2007

Die Hardest

Right then. Despite the off-formula red flags I see wavin' all over No. 4.0 (supporting players are children; not one African-American lead to be seen), I do hope it's good. 'Cause this video is GREAT:

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21 June 2007

Andy McKee

I don't have a lot of patience for guitars, usually because their players aren't doing much interesting with them. That's my bias and I'm sticking to it.

This fella, though, is an exception to the rule. And the music? Just gorgeous. A nice way to start the morning during this emotional June, our hinge of the year.



Thanks to Dave for the link! And Mike and Doug will probably love this, so I'm tagging those jerks too.

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11 June 2007

This Today

For me, May was a quiet month. But around me, things moved.

B's romantic journey cross-country has changed shape. K's journey out of country may help her shape-shift as well. Shan's too, I'd wager. Tans has a new home, and new work to give. Trevs finished his Chapter 11. My book did a dipsy-doodle on me. Rich Wilkins passed away. Sebastian Roberts was born.

In the wake of it all, I'm left feeling kind of raw, more emotional than I've been since...well, since last May - when I was the one in flux. At times like these, I don't have the right words. Thankfully, when words fail, there are sounds.

So here's a song that grew out of last month and came to its close at the beginning of this one. It's been a year since I smashed some musical notes together. About time, I say.

And to be honest, it doesn't look like the world's gonna stand still outside me anytime soon. Change is coming. Change is here. Change is eternal.

To This Day

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05 June 2007

Zeroes and Ones



...or maybe just Ones, 'cause there's a lotta firsts here.

Year Zero is the first Nine Inch Nails record I can listen to all the way through since Pretty Hate Machine in 1989. It's the first of Trent Reznor's "concept" albums I'd say works as a whole. And most enjoyably, it's the first time past 1992's Broken I've been able to shout along with NIN at the top of my lungs and savor the anger and aggression while keeping a straight face. Why come?

Mr Reznor's finally changed his topic. He's no longer sniveling about the girl or guy or God who's done him wrong. This time the schlep who got dumped and damned is the world, and we're the Ones (Zeroes, actually) responsible. I'd even venture to say Trent's found a place for the Almighty in his dirty little heart, and he's okay with being judged by a higher power that's likely a mite disappointed in what we've done with the gifts it gave us.

That is to say, I take Trent's "Zeroes and Ones" to mark something other than the bits and bytes usually serving as his musical instruments. Call a Zero, perhaps, those who haven't the inclination to help improve this mess we've gotten ourselves into here on planet Earth. And a One? Maybe that's somebody who can find a peaceful solution to our religious, resource and territorial disputes instead of taking up vengeful arms.

Anyhoo. Enough ballyhoo - I've already bitten off more than I have the chops to chew. Long-overdue political subject matter aside, there's some rather good old-fashioned industrial disco on this album. And I listened to it rather non-stop while driving my way around the United States two months ago (splicing in some cheerier bile from the adorable Lily Allen for relief now and then).

End result: a decent familiarity with Trent's new tunes. And a hankering to play around with them.

So here's minimixes fo' y'all - especially for Dave and Tara, whom I know dig this record as much as I do. These are sort-of-sequels to my Nails mixes from last year, though this time I didn't want to pair past with present (as I did on Pretty Hate Machine and With Teeth), because the new album, really, points only to itself.

My Violent God Given Heart
The Good Master
Me, I'm The Destroyer

Shame on us
We knew from the start
May God have mercy
On our dirty little hearts
Shame on us
For all we have done
And all we ever were
Just zeroes and ones

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12 April 2007

Rock Bottom

Two weeks late, but no less heartfelt.

I've reached the bottom of my rock remix to-do list and to be honest, I'm a little guitared-out. For the balance of April, I think I'll stick with the pansy synth ditties. In the meantime, here's AC/DC for Chad, as promised. Sorry you couldn't make it to Vegas, buddy. Hope this tides you over:

AC/DC, Chad - Dirt Cheap

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21 March 2007

Cornello

A lot of beer, a little mixin'.

I like Audioslave best with some groove to go with their grind and unfortunate lyrics. To my surprise, this mix prefers Tom Morello's axe to Chris Cornell's voice. I enjoy both, save those ludicrous guitar solos that derail any track (though I had to include at least one here for legitimacy).

These guys are history now. Looks like Rage Against The Machine is reuniting, and Cornell is off to a solo career. Best wishes to 'em both. Their peak, in my opinion, was "Original Fire" - to which I cleaned up much drywall and steel scrap. AWWWWW YEAAAAAH.

Audioslave, folks.

This one's for Shaylyn, who was always kind to me.

One Fire Of Revelation

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19 March 2007

Feelin' It

So today's the official Last Day of Winter.

And though we've still got some snow on the ground here, I sense spring coiled and ready to sproing.

My time away's left me refreshed, excited, and horny as all get out. Plus, my meaning-monger radar's up. Walking along the street to fetch ingredients for tonight's dinner, I eyeballed myself a sweet triptych of chaos magick underfoot to get the evening (and perhaps the season) started: a page of somebody's screenplay made with the Final Draft demo version (I bent over to read it and found properly formatted but BORING dialogue), a discarded elastic curled into what I can only describe as a double vesica piscis, and a single die rolled (out of a dumpster, likely) to its #1.

It was great visiting with the fam, the Mbut, and Gramps. I got caught up on my backlogged magazine reading, started three new books (yay Teresa!), and worked my way through the 13 Years of Wax Trax! boxset, which was wonderful and has certainly inspired some ideas for April mixes. In the meantime, now I'm home, I'll do up a couple more rock mashups to finish out this month's theme, and I can also say Blorthos has been making noises (rather moist and feral noises) about getting a post up here soon.

Me, I'm itching to get my bike off Tacx and onto pavement, it's so nice outside. But not quite yet...I'll have to settle for running tonight without so many clothes on. Who knows? I may not even need a tuque (not toque, as Gweinz has learned me).

No tuque?!

Ah, the possibilities.

And that, my friends, is what spring is all about.

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08 March 2007

Can't Contain Myself

Okay.

If, like me, you're from Canada, and you don't enjoy at least one Tragically Hip song, I have to admit I harbor serious suspicions about your character.

Also: The Tragically Hip's World Container is a wonderful album. Freaking wonderful.

Released at the end of last year (after almost a quarter-century of these Kingston, Ontariah fellas playing rock music together), and produced by populist knob-twiddler Bob Rock (God bless 'im), the whole damn affair is non-stop, goosebump-happy, joyful-bawling GREAT, track 1 through 11.

Frontman Gord Downie's a poet, yes, an abstracting sensitive fella, but he also knows how to scream and howl like a man through a wall of balls-out, aggressive youthful energy still tapped effortlessly by these guys as if they weren't anywhere near nudging middle-age.

It amazes me I could limit this minimix to only 4 of the album's songs, but alas, sometimes I am temperate.

GAH! NO! Screw that!

Rock on!!!

(For Trev.)

World Hip

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06 March 2007

More The Merrier

Please join me in welcoming two new arrivals to the Friends section of the sidebar here at Mini Nerd: the lovely and talented artists Tinselman and Etherbrian.

I've been a fan of Brian's since nigh on my AOL days (i.e. over a decade). If I didn't need to attract a desirable female mate, I'd likely wallpaper my entire home with his glorious pixelated whimsies and smoove vectorific dreamscapes. At the very least, now that I'm past my below-the-poverty-line years, I can't wait to commission (read: pay for) an illustration from Brian to make up for all his free font and icon sets I downloaded back in the day.

Robyn Miller over at Tinselman I've lauded earlier here at Mini Nerd for his work with Cyan on the classic adventure videogames Myst and Riven, and his later collaboration with Keith Moore for the project 1,000 Years and 1 Day by Ambo (a favorite album of mine from last year). That is to say, his output's near and dear to my heart. As for you, if you've any interest in art, Robyn's radar for cool and interesting art-related web links is impeccable.

A warm welcome to Brian and Robyn!

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Nickeley Thornback

As a construction worker, one of my job responsibilities is to listen to rock music all day long.

Ask me, I prefer working with no musical accompaniment; time becomes more malleable and I enjoy an escape from clockwork distractions such as traffic reports, news bulletins, and top-of-the-hour, 30-minute, commercial-free rock-rides.

Regardless, the radio stays off only when Trev and I are boarding just the two of us. We share a love of peace and quiet, you see.

Trevor's brother Chad, on the other hand, needs screaming guitars, thumping drums, and an assortment of yelling men to "get him pumped" and keep him productive. Once, the guy indulged me and agreed to suffer eight hours of Christmas carols because hey, the season called for it and he's a giving chap. But most days, our exertions are scored by the sounds of CJAY 92, Cowtown's celebrated (and admirably community-minded) rock radio station, which chronicles its 30th anniversary this year.

Chad likes the CJAY.

As a result, I'm now shockingly familiar with the current rock Top 40 (the oldies I already know well from a pre-adolescent skidhood of banging my mulleted head and slamming air guitar to the hair metal of the 80s and trashy glam rock of up to two decades prior).

Today, CJAY has become such a cozy part of my aural makeup that if I'm walking along any given street downtown and my ears pick up longtime broadcaster Gerry Forbes making a sexist joke, or that partly-enjoyable cover of Genesis's "Land of Confusion" by Disturbed blaring from a nearby speaker, I know that if I turn my head to look, I will surely see a construction site, however small, no more than 20 feet away.

AND SO! IT FOLLOWS...

That for the month of March I'm only going to remix rock music.

Chad's fave is AC/DC, and I'd like to get some'a that in, since I'm also a big fan. Trev's choice is The Tragically Hip, so I've planned something for one of our country's finest (but mysteriously, least successful abroad) exports as well.

That said, this evening I'd like to kick things off with a minimix of some other Canuck offenders. The first originates just northeast of here in the small town of Hanna, where my sexiest ex also hails from. The second calls Toronto home, but they're signed to the record company owned by the throaty growler fronting the first outfit, Mr Chad Kroeger.

The bands, then, are Nickelback and Thornley, respectively. And though the former came out of "nowhere" to dominate the rock scene at least here at home, Thornley is itself a phoenix from the ashes of three other Canadian rock fixtures: Big Wreck, Big Sugar, and Three Days Grace. I must admit, they do sound a good deal to me like another recent (and recently disbanded) phoenix, Chris Cornell and Tom Morello's Audioslave. In fact, I thought Thornley was Audioslave the first time I heard them.

But more on Cornell and Morello later.

For now, here's Ian Thornley and Chad Kroeger trading sore throats and power chords for a couple minutes, courtesy of Board Brothers, CJAY 92, and your Mini Nerd.

And dedicated to Chad, of course.

So Far You Remind Me

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27 February 2007

Depeche Mellencamp

Here's one dedicated to my internet crush Bronwen, who's probably too weird even for me.

This would never impress her.

John (Cougar) Mellencamp meets Depeche Mode:

Jack Strange & Diane Love

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17 February 2007

Willonce

A Saturday afternoon, a couple beers, a little mixin'.

Will Smith meets Beyoncé.

This one's for Kerrie, Tanya, Max and Robs.

Thanks to Dave Schroeder for inspiration.

Wish I could go dancing tonight.

Switch Me Bodied

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14 February 2007

Hands Like

Happy Valentine's, y'all.

For lack of anything current to say on the topics of love and romance, here's an old poem I wrote for a gal who dumped me a decade ago, but was just here a few days past - for a short but enjoyable visit in very snowy, very cold Cowtown:

she has hands like spiders
only not so fast and nasty
instead they move like water ebbs
connecting dots on me

she has hands oh spindly thin
long fingernails sometimes
double-joint piano hands
poised over keys of me

her hands sheathed in sweat back then
first holding mine so anxious
but now quite dry and jaded still
with no warmth left for me

these hands are mine own alone
raw cracked and brittle skin
clutch at spider thin piano hands
a fading memory


P.S. The four examples of chip music in the sidebar under Songs, I wrote for her as well - some 14 years back from now:

Plunge
Upended
Kerslamm!
Plunge (Extended Mix)

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15 January 2007

Vampyric. Horse.



[k-chunk] When U saddle, I whole. [chikkity]

[zzzt] Before U, is nothing. [bzzt]

[zzt] Grip Ur legs, direct. [chicka-chicka] Together we one. [chunk-k-chunk] Between legs, power harness. Reduce I. Control. [chikkity chikkity chikkity] Ur right, rider. Make jump. Steer I. [zzt]

[chunk-chunk] If I balk, strike. Snap whip to rump. Drive Ur heels to flanks. [a-chicka-chicka-chicka] If I good, feed. Pet. [bzzt] Stroke long nose. Slap sides. Show I wanted. [chikkity]

[ker-thunk-thunk] Now. Mount pommel. Part of I. [bzzzt] Rest Ur center on. Feel rumble. Steady, steady. [a-chicka-chicka-chicka] I thud hooves. Roll back. Tense muscle. [zzt] Vibrate steady. [zt]

[chikkity] Now. Give Ur essence. Feel juice drain down. [bzzt-chunk-chunk] I drink deep, master. [chikkity chunk-chunk] I not empty U. Enough for all days. [bzz-zzt] This union. [chunk-chicka]

[zzz] The coupling. [tzz]

[ker-chunk] U ride. I suck. [chikkity chikkity chikkity]

[chicka-chicka] Give Ur energy, give U obedience. [chunk-chunk]

[chikkity] Fast and true. [a-chicka]

[tzzz-zzt] All days. [clunk]

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16 November 2006

Undead

Earlier this year was the first time I saw Ed Wood.

My dear friend Lisa, an avowed Johnny Depp fan, marked it as the only of his movies she didn't like. Ditto for Tim Burton.

I couldn't feel more the opposite. I think it's easily Burton's best, and Depp's top performance to boot. Too often, I see Johnny's eyes inside the character he's playing, and it ends up as caricature because I notice how he much he's enjoying it.

Here, I bought him as the passionate, ambitious, and blessedly naive B-movie auteur Edward D. Wood Jr. Better yet, I was consumed by the masterful portrayal of our most venerable creature of the night, Bela Lugosi, by Academy Award-winning Best Supporting Actor Martin Landau. Lugosi was a collaborator of Wood's, and in Burton's biopic, the friendship between the two men is an emotional anchor that holds a lot of silliness together.

When Halloween crept upon me this year, I decided to remix one of the songs that had haunted me most across my celebrated Octobers. In choosing the song, it became clear I could attempt tribute threefold: to the post-punk musicians in question, Bauhaus; to their muse, Bela; and to the performer who channeled the classic horror star with such respect and dignity, Landau.

So Bela Lugosi's Dead by Bauhaus leads to

Bela Lugosi Lives via Mini Nerd.

Thank you, Lisa, for the gift of your Ed Wood DVD.

And thank you to everyone else who came trick-or-treating on our virtual doorstep this Halloween, especially those sent by Dr. John, who was kind enough to award Mini Nerd site of the day. I'm honored, flattered, and grateful for all the new visitors. I hope you each stick around, to see where we take the site in days to come.

First up: Down South wrapup.

Stay tooned.

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06 November 2006

Grooveyard

Yes, Halloween is over.

Yes, I'm in denial.

I've also had another one of those busy weeks that delayed my posting the final two entries in this year's monster mashup. So please bear with me as I extend Halloween to Halloweek, and take these next few days to complete the quintet.

About this first of the final two posts: I cannot take credit for the title. I owe it to this consummate performer, arguably one of our finest Canuck celebrities:



Rest his soul, Billy Van was responsible for some of my earliest (and most inspirational) childhood media memories, in the form of The Hilarious House of Frightenstein, the trippiest, most wildly imaginative monster variety show I can think of (and honestly, I can't think of any others, so 'nuff said - this was sui generis):



Such an impression it had on me that I scribbled out my own comic-book ripoff called Super Monstrosities, and "hosted" a low-budget, bedroom-floor version of the program with the aid of a Snake Mountain microphone and my sister providing extra voices, particularly that of Grizelda - whom Van, I should mention, played on Frightenstein, along with almost all the other characters:



One of the notable exceptions to Van's one-man-cast was the poetically inclined Vincent Price, who provided the rhyming interstitials between segments as Van presumably changed costumes and personalities into the next character he'd play...



Such as the Wolfman (read: Wolfman Jack), who deejayed a spooky set called The Grooveyard while dancing in front of an oscillating tie-dyed background that'd surely cause intense paranoid experiences if viewed on mushrooms or ganja (and I'm not convinced Van wasn't on either while actually taping these segments - his haphazard, seemingly improvised style suggests assistance from some foreign substance or other).



To bring this meandering preamble as full-circle as I can manage, I've chosen Grooveyard as the title for this post because a huge part of Halloween, for me, is connected to music - and assorted scary sound effects too.

The love of sound effects I owe to a spectacular LP of nightmarish aural environments produced by Disney to accompany its equally excellent Haunted Mansion ride. The latter I had the pleasure of revisiting some years ago as an "adult" and, aside from the cacophony of kids SCREECHING in the elongated elevator as it began its dire descent, it retained a lot of power for me.

I haven't had a chance to revisit the album yet (sadly, there's no record player in my vicinity), but I must thank rreavell of eBay for selling me a copy. I'd lost my original somewhere around becoming a teenager; from then on, its role in mine and my sister's early Halloweens had become mythic. I'm thrilled to have it back!



For more recent haunting soundscapes, I've turned to the truly frightening "music" of Lustmord to accompany my front-yard decoration and front-door dispensal of candy. Turns out this stuff is usually too unnerving to entice children into those makeshift graveyards I've assembled (especially the one erected with an ex who was a fellow ardent perpetrator of All Hallows mischief). If you wanna dip your toe in Lustmord's deep well of horrific noise, I invite you to play this LP somewhere ALONE, with the lights off:



The other iconic collection of terrifying tunes that's been a part of Halloween celebrations for nigh on half my life, is a mixtape put together by my uncle Rod, for his beloved (my uncle Tim), while the two were separated by several states on this, the holiday they now celebrate together every year with yard decoration, nostalgic collectibles, and an assortment of fiendish foods!

Its origins are romantic, then, but its tracks are decidedly dark in tone - and they've scored all my nights roaming the streets of whatever city happened to be nearby in search of the Best-Dressed Halloween House (for which I'd present an award to the unsuspecting, usually hesitant owner) with my car (or van's) stereo cranked to full and blaring black beats from Rod's mix.

I won't post these songs here for your consumption, but I'll include the tracklist in the hopes you try yourself to find at least a few tunes. It's worth the search, and the mood you can establish for your own night of tricks and treats:

1) Everyday is Halloween - Ministry
2) Halloween - Siouxsie and the Banshees
3) Halloween - Japan
4) Bela Lugosi's Dead - Bauhaus
5) Love Like Blood - Killing Joke
6) Blood of Tin - Lydia Lunch
7) Mechanical Flattery - Lydia Lunch
8) Gloomy Sunday - Lydia Lunch
9) Tied & Twist - Lydia Lunch
10) Intro & Main Title from Phantasm
11) Main Title from Night of the Living Dead
12) Fear of Ghosts - The Cure
13) Crucify Me - Moev
14) The Devil Does Drugs - My Life With The Thrill Kill Kult
15) Angels on a Balcony - Blondie

One selection that wasn't included in the above mix but really should have been is a ditty called Be My by St Che. It's a decent early industrial dance record with samples from a very chilling story called The Exquisite Act, read by Sian Phillips for the Royal Shakespeare Company. I would love to track this track down; for now, I'll be content with my tape copy.

And you may notice an appearance in the above tracklist by the most important band of my adolescence, My Life With The Thrill Kill Kult. Last year around this time I put together a megamix of their campy, creepy late 80s/early 90s period, which was a soundtrack not only for Halloween but also many an angst-filled night during my regular teenaged life. I did up this mix for my buddy Dave, a fellow fan. We once waited 'til two in the morning in downtown Toronto for the band and its blasphemous concert paraphernalia (e.g. t-shirts we'd happily buy before soundcheck) to clear customs and reach the venue where they were scheduled to play that evening. Unfortunately, we were too young to drive cars and had to leave before Groovie Mann and Buzz McCoy took to the stage - the final 2 AM TTC bus was our only way home.

Speaking of taking to the stage, one of my favorite horror comedies has made its way to Broadway, complete with musical (and sung vocal!) accompaniment. I couldn't be more pleased, and really hope it travels to a town where I can easily see it (if not sit in the first few rows to be drenched with spurts of fake blood - the over-the-top gore so endemic to this most revered of cult classics, I hear, remains fully intact in the stage version). Ladies and gentleman, I give you Evil Dead: The Musical.



I think that about covers it for this year's Grooveyard, but I've got one more post to make in the Halloween cycle that I'll hint at by saying its inspiration can be found within this post, and its dedication will be to this good fellow and his work:



After that's here, I'll reluctantly give up the ghost(s) and put away the pumpkins...

For now.

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21 October 2006

Intermission

These mackerels are holy
A life gets full suddenly
Nuthin' turns to everythin'
And I ain't been around

To yap at yese read these
Missives, none been new--
Apologies and soon, I'll come
Up for air to please

Sounds like song lyrics, so I'll turn it over to the ultra-talented gang I've been listening to the most these whirlwind days:

When you're standing on the side of a hill
Feelin' like your diss-me be done
Here it comes, the strawberry smoke
Chasin' away the sun
Don't let those precious moments fool ya
Happiness is getting you down
A rainbow never smiles or blinks
It's just a candy-colored frown

You were goin' on at half-past seven
Now it's goin' on a quarter to nine
All the angels want to know
Are you lost or treading water?
And you're goin' on your fifteenth bender
But you've only got a matter of time
Yes, we've all got seeds to sow
Not everyone's got lambs to slaughter

When the night wind starts to turn
Into the ocean breeze
And the dew drops sting and burn
Like angry honey bees
That is when you'll hear the song
Falling from the sky
Woah-oh-oh
Happy yesterday to all
We were born to die

Sometimes you're filled with the notion
The afterlife's a moment away
You wanna tell someone the way that you feel
But then you ain't got nothing to say
You fight for freedom from devotion
A battle that'll always begin
With somebody givin' you a piece of advice:
By the way, you're living in sin

Now there's never gonna be an
intermission
But there'll always be a closing night
Never entertain those visions
Lest you may have packed your baggage
First impressions are cheap auditions
Situations are long goodbyes
Truth so often living dormant
Good luck walks and bulls**t flies and--

When the headlights guide your way
You know the place is right
When the treetops sing and sway
Don't go to sleep tonight
That is when you'll see the sign
Luminous and high:
Woah-oh-oh
Tomorrow's not what it used to be
We were born to die

Woah-oh-oh
Happy yesterday to all
We were born to die

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28 September 2006

Agnus Dei



You'd think any given spin on your iPod would be the perfect request-list that's all you.

But sometimes the shuffle of songs just catches you unreceptive. Tune after tune arrives, and you find yourself endlessly skipping to the next surprise selection, hoping it will better suit your mood than what the randomized ether has coughed up so far.

Then there are the magic moments.

Times when the little plastic ditty-dealer seems to know exactly what you're listening for, and delivers it song by song - each connecting to its forebears and followers in a flow of personalized programming that couldn't be better if you were the DJ yourself.

Last night, for example.

I've taken to employing the 'Pod at bedding hour, the better to soothe my nerves and distract ye olde roving brain from its involuntary need to process everything occurring in the day past (and all days previous) while still conscious, never agreeing without a fight to roam the infinitely preferable (and far more effective) thought-sorting rhythms of REM sleep.

Usually I keep an ear or two cocked until the music starts to bore me, then doff headphones, turn cheek to pillow, and nod off to the precious land of la-la.

Not so when the 'Pod doles out what it did last night.

I'm creating an honorary playlist (mixtape, if you will) for fate's nocturnal serenade, but I'm naming it for the plush creature who has watched over my frustrated attempts at slumber the last few nights. Not from a prized position in my clutching arms, mind you, but from her spot at the piano across the room, where she's clearly learned a thing or two about what makes me bop my head and tap my feet - even from a horizontal, blanketed position.

Without further ado, I give you

Lamb Chop's Choice

1) Black Dove (January) - Tori Amos
2) Turn This Car Around - Tom Petty
3) Drama! - Erasure
4) Gone Daddy Gone - Gnarls Barkley
5) W.Y.H.I.W.Y.G. - Front 242
6) Geography - Front 242
7) Everybody's Got A Family - Massive Attack
8) Five Years - Bjork
9) Save Me - Aimee Mann
10) Sleep - Imogen Heap
11) The Walk - Imogen Heap
12) God Morgon - AP3S
13) Abuse - Propaganda
14) Push Upstairs - Underworld
15) Matrix OpenStatic - Front 242
16) Description Of A Fool - A Tribe Called Quest
17) Turn This Car Around - Tom Petty
18) Remind (Live @ Maida Vale) - Orbital

P.S. So far, TB's been all about visitin', bikin', runnin' (!!), weight-liftin' (!!!) and new-TV-show-watchin'.

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14 September 2006

We Rang

My buddy Neil and I entered that Wagner remix contest, but neither of us made the final. The ten remixers who did span the range from dub to straight classical styles. Good on 'em.

Here's what Neil and I did:

Bride of the Valkyries by DJ Plaiditude (Neil Devine)

Ivory-Filtered Shake by DJ Mini Nerd (Stephen Reese)

Thanks again to Nanagram for the title of this post.

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03 September 2006

Liognel

Gnarls Barkley meets Lionel Richie:

Crazy All Night Long

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21 August 2006

Detail Work

I put together that Wagner remix tonight (the day before the deadline, as I often end up doing - thanks to Neil for reminding me!). But I'm not sure if I'm allowed to make the thing public while contest judging takes place. And I'd like to let it sit for a day to see if I still don't mind it tomorrow (after all, I've got 'til midnight on the 21st to submit!). So instead I'll post a quick touch-up of an earlier mix - the earliest, in fact, of this new era with my new software that replaces ye olde turntables, mixer and sampler.

I made it for my sister last year during a very happy time in my life full of possibility, new love, and enthusiasm for getting back to being creative outside my scheduled work hours. Sis found this cool album on iTunes by a band called Frou Frou (as I understand, their first exposure to North American ears was in that bore of a movie Garden State), and it was providing a perfect breakup soundtrack for her. She gave me a listen and damn if I didn't tweak to it too. But there was a section in the "first draft" of this mix I wasn't happy with, a transition that always bothered me. So after fiddling with Wagner tonight, I took 45 mins to fix 'er up. And noticed a few other parts that needed fixin' too! That's what it's like when you revisit earlier work, I find: you revise.

This one goes back nine months, to November 2005.

Now I close the circle: All In The Details

P.S. Clem and Lisa have arrived safely in Montreal! I had a great time at their going-away party, from looking at the late summer moon in Clem's unbelievable homemade telescope, to discussing spirituality and Ginger with Aaron and Brandy, to watching a stunning display of fire dancing by the lovely Audrya (Calgary readers can check it out on 17 Avenue throughout the current Fringe Festival). I'll miss C&L, one of my favorite married couples, but I wish them bon chance and hope to come visit them soon!

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07 August 2006

Pretty

Well, it didn't take long for this to happen.

Not sure what the kids are calling them these days.

Mashup? Tom Petty vs Radiohead?

I call it a minimix: Damaged Fake Plastic Love

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06 August 2006

Petty

The new Tom Petty is beautiful. I just listened to it three times in a row and can't say I won't do another before bed.

I've always loved Petty's distinctive voice and killer hooks, but what I'm enamored with this time out are his lyrics. So many elegant turns of phrase on this LP, puns and punchlines with just enough ring of truth to avoid cliche, simple statements that speak right to my core and sting tears outta me. But don't think it's a bummer. Every track is shower-singable, air-guitarable - pure pop.

Following is a sample of what you can hear Tom sing on Highway Companion, an album that, true to its name, is made for the long road - for driving hard away from your pain, returning home to excavate what's left of you, then turning that damn car around and heading back to the front lines to keep on fighting. Amen.

From "Saving Grace":

I'm passing sleeping cities
Fading by degrees
Not believing all I see to be so

I'm flying over backyards
Country homes and ranches
Watching life between the branches below

And it's hard to say
Who you are these days
But you run on anyway
Don't you baby?

From "Higher Ground":

Had to find some higher ground
Had some fear to get around
You can say what you don't know
Later on won't work no more

Square one, my slate is clear
Rest your head on me, my dear
It took a world of trouble, took a world of tears
It took a long time to get back here

Tried so hard to stand alone
Struggled to see past my nose
Always had more dogs than bones
I could never wear those clothes

It's a dark victory
You won and you are so lost
Told us you were satisfied, but it never came across

From "Flirting With Time":

A flash of light reminded me of you
This could well be your last stand
Hold the sunlight in your hand
Spread your fingers, feel the sand fall through
I've done all I can do, now it's up to you

You're flirting with time baby
Flirting with time, but maybe
Time baby, is catching up with you

You cried out and no one came to you
I've done all I can do, now it's up to you

Should be more to learn from this
Can't say I know what it is
No difference 'tween a hit or miss, it's true
I've done all I can do, now it's up to you

From "Jack":

You say what you want to Jack, I'm gonna get my baby back
Trouble came right away, now you say she's gone to stay
Cough it up, hit the street, left without a word to me
Oh oh, you don't know, how that girl could touch my soul

You say what you want to Jack, I'm gonna get my baby back

Suddenly you know my name, say there's only me to blame
It's gonna rain, it's gonna shine, gotta stay between the lines
Rolling down a lonely road, you say I should let it go
Wish you would come on down, if you need I'll come around

If you give me half a chance, I will make her sing and dance
I'm gonna give her all my soul, I'm gonna play her rock 'n roll

From "Damaged By Love":

She don't care about time
Time gets in her way
Fades into the wind
Days roll into days

She's got nothing to hide
And she hides it so well
Keeps broken dreams
To fix up and sell

Damaged by love
So young, and damaged by love

Eyes down at my door
And she holds out her hand
I love you so deep
But you can't understand

From "This Old Town":

Living free is gaining on me
Can't keep ahead of my dreams
My relief turned out a thief
Smooth as rocks in the stream

From "The Golden Rose":

Wish I was back in her arms again
Wish I was holding her tight
Wish I was back in her arms again
Safe from the night

She stood on the shore and she waved to me:
"Come back home"
Many a night I would think of her
All alone

And my favorite, from "Ankle Deep":

Took all winter...to get through the summer.

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03 August 2006

Ivory-Filtered Shake

CBC Radio Music Commissions presents Compose Yourself

This is so silly I can't resist:

A competition to remix Wagner's Ride of the Valkyries.

I've never liked this tune's pompous strut, though Bill and I used it in our own leitmotif "Nordic Weedhunters", perhaps the most enjoyable short we made during film school. There's something undeniably cinematic about Wagner, especially in Valkyries near the bridge and climax. I can hear E.T. and Star Wars in there.

Anyway, I'm gonna give it the old college try and see how much abuse Wagner can take. Thanks to Amanda for the keyboard that'll let me actually play notes with my composing software now instead of drawing them, to Martin for letting me know of the contest, and to Nanagram for the title of this post. Other anagrams for "Ride of the Valkyries" that were runners-up:

veiled freak history
tires forked heavily
forsake, thrive, yield
flaky diver theories
festive, leaky, horrid
fried, stroke heavily
fever strike holiday

I invite other audio nerds to enter as well! HO JO TO HO!

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28 June 2006

Dear Agnes

Dear Agnes,

It must be hot out there in that desert. I hope ye cin find shade from time to time. And may all yer oasises be real water, to drink deep from and mebbe swim in too.

The homestead be mighty empty without yer soul to fill 'er up. And ever'day I miss ye, from the minnit I open m'eyes to the minnit I cin close 'em - and that always take a while, what wit' all the tossin' and turnin' and wondr'in ever'night.

In the mornin' ye was always better at hearin' the rooster when he start to crowin', and after slappin' that feller once or twice to shut 'im up mebbe 'nother five ticks of the clock, ye'd always 'member to call 'cross to me and lemmerme know that the day were startin', Barney.

But sommertimes I wake before then and jest watch ye sleepin', fer ye look so peaceful and loverly such, and the sound of yer breathin' were a comfort ta me.

Agnes, I done miss yer breathin'. Yer snorin' too. And the way ye mash yer face inter the piller lyin' on yer belly. I bin takin' ta that way'a restin' m'self. Maker me think'a ye and not hurt so much.

And Agnes, I dinna mind the grumpies that usual afflick ya when the day first break. It were 'dorable, in its way, 'specially if I happen' inta the bafferroom when ye still be fixin' yer hair and 'plyin' yer girlie paint make your skin and lips and eyes and fingers and toes look so purty.

'Member that time we put some'a that foot paint on me own clompers? Hee hee hee what a giggle and it took almost f'rever fer the shiny sparklies ta come off. Might even still be there, lemmerme check...

Nope. Nuthin'. Maker me sad, it do.

Used ta maker us laugh.

Agnes, I done miss yer laughin'. Ye be the perfeck mix'a serious lady and nutty goofer, jest like me on the inside. We should be goofin' right now even, by heck.

Durin' any day we'd send each other a telegraph or two, and ye'd always come ta me if there were sumpin' stickin' in yer craw and makin' ye need to talk 'er out. Sommertimes it jest be a simple hello, or a "where did ye go?" and I like that last one most 'cause it maker me feel treasur'd.

Come twilight, me an' the horse would trot our way home and find such a fine meal bein' ready fer the eatin'. Or mebbe I'd beat yer chuckwagon there and make one m'self fer us both. Either way's a damn sight better than what pass fer grub now, 'cause ain't no sweet Agnes to make 'er fer, and Barney ain't got no motorvation to treat 'imself the way 'e treat 'er.

So it follow I done miss yer cookin', Agnes. Ye're a genius wit' it ta be sure, always inventin'. And I miss yer clumsy fumblin' round the kitchen too. I know it hurt muchly when ye burn yer hand on the cookstove, and I sure hope that bad'un welt ye done inflick yerself wit' be good n' gone, but I also lover the fack it happen at all. I know it be loony, but it done warm me heart how ye klutz it up so.

I dang miss seein' ye pull on the woolen gloves to washer the plates affer we eat, but more'n that I miss washin' em fer ye. I cin do it on me own jest fine, but havin' ye there to 'precierate what I done gone done, feel so much nicer all 'round.

And never mind settin' and unsettin' no table now. It jest dunna happen. Ye was the one could do that fer us, and wit' the artistic flair any time. All that flair ye done brought ta the homestead, it ain't my specialty, though I done haver the time'a me life pickin' things fer the 'stead wit' ye, chairs n' pictures n' shelves and lil' knicker-knackers that ye be perfeck at choosin' to fill alla the space n'all.

Speakin'a fillin', there ain't even no voices or laffter ta deckerate the home none, no talkin' or sillifyin' ta make the night a good'un and taker 'way the tenshun a' the day. I be goin' ta me workshop ta fill me hours with whatever lil' project I cin dream up fer the moment, and that be fine and all, but it ain't enuf, nosirree.

And when it come time fer puttin' head ter piller, gee whiz. I done stay 'wake fer too many ticks'a the clock, flippin' ta that side, switchin' ta this one, and never settlin' down satisfied. Good grief, Agnes, when ye was here, one whiff of yer hair and I were happy as cin be, ready ta fall ta slumber straight away knowin' ye was right beside me slumberin' too. It ain't jest me heart that misses that, it be me whole body. And I won't even get inter the other ways me body misses ye, but landsakes that be a struggle indeed.

The way ye shift yer feet before fallin' ta sleep. I miss it. And I miss ye tellin' me ta stop bangin' mine 'round. I miss ye askin' fer me ta rubber yer back and neck and loosen knots in yer feet also. Gosh it seems I miss yer feet a lot. And blowin' on yer belly like a horse done flapper him lips sommertimes, only on ye it tickle and make ye laugh up a storm sumpin' fierce.

Many a night ye'd drew yerself a bath and light up some'a candles in the warm dark, and by golly I miss that bad. One time ye even draw me one and I feel like the luckiest feller in the town. See, I dunna know how ta do that stuff fer meself, Agnes. I'm'a not ver'good at relaxin' and takin' the downtime, as they say. Ye was best at helpin' me 'chieve them needs.

Ye was also best at workin' 'longside me, and I 'longside you. We was a dang strong team, whither pickin' frocks and chaps fer the comin' season or puttin' together tables wit' seventeen million parts n'all. I knew ye was me partner in crime when we first maker a picture frame and it go down like porridge flowin' smooth.

I canna even 'magine what it be like come'a year end and winter solstice if I canna have ye to stroll 'long main street wit' and collect up some deckerations fer a holiday cactus and hangin' 'dem matchin' stockins' we done picked out sep'rate but exack same 'cause that how we both like ta thinkin' things shoulda look. Fer the love'a Pete it done sadden me ta the bone.

I bin tryin' ta hiderway them nice photergraphs taken of ye n' me when we first meet at the weddin' (ye got the spirally poofy dress I so care for, and them loopy lacy shoes), but dunna matter if I stick 'em in a drawer or put 'em upside down, my mind eye be full'a ye all the time, in alla dresses and shoes and blouses and britches and sommertimes less. Tell the truth, lotter times less, but what cin a man do when his lady done pack up and make fer the desert all by 'erself?

And that be the thing, Agnes. Ye said ye need to do 'er alone, and I bin respeckin' that request best I cin, but lissen: it dunna haver ta be that way. I know what it's like ta walk the desert. I cin even face the Mega-Nega. If ye'd jest be able ta share yer journey and lemmerme in ta help, I'da be right there wit' ye, right 'longside ye where I dang belong.

Ye done prove ye're a tough lady. We all know it. Ye done prove yer head be hard as a stone too. But sommertimes ye need help, Agnes. Sommertings canna be done by one person 'lone. I know it, lady, 'cause I were the same. I were all tough for many a year, and I were dang sure there were only one way I could win. I hadda do it all m'self, 'cause a man should be able ta, right? Nope. What a man should be able ta do is ask fer help when he needs.

Ladies too. Ladies gotter see there's no shame in it, no guilt neither. The truth is, ever'one'a us need some'a help and we dunna get it by shuttin' usselves off from the things that spook us or might hurt some. We hafta face 'em, like I hadda face the Nega. But 'member, first time I face that beastie, I only beat 'im 'cause I had the help'a some special folk done give two hoots and more 'bout me. Soon as I open me arms and ask fer the help, that's when it start gettin' better. And best.

It be true.

I done look all over that dang desert fer a Magic Cactus that would giver me the power ta saver m'self. But I finally realize I weren't s'posed ta saver m'self at all. And that Cactus? It weren't out there. It were right back at home.

That Magic Cactus, I found, be other folk.

Agnes, there be one such folk right here writin' this letter ta ye, who lover ye ver'much and got least two hand ta lend.

'Til ye let me, I gotta keeper my vigil, lonerly as it be, and hoper fer the best. 'Cause I dunna know what else ta do, dear.

But there no way ye never comin' back ferm that desert. It would done gone do me in. That canna be the end'a this here story.

Nope way, Agnes.

All my loverin',
Barney

P.S. There be lotta salt n' vinegar tater chips left. It be no fun eatin' 'em 'lone.

NOW WITH MUSICAL ACCOMPANIMENT! (thanks Agnes)

Dear Agnes

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12 June 2006

Make New Stuff (Part 1)

Hey.

When I lose something really special, my coping mechanism is to feverishly make new things.

Last summer I lost probably the most important thing I was given. And it rained a lot.

This summer I lost probably the most important thing I've found. And I wish it would rain a lot.

So here's a tune I made called The Rains.

Pitter patter.

NOW WITH ADDED THREAT OF RAIN! (thanks Mike)


Image approved (and captured)
by Bandwidth Nazi Michael Helms

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27 May 2006

Pretty Hate Machine With Teeth

I've been listening to a lot of Nine Inch Nails since my return to bachelorhood (mainly because the circumstances of said return were not to my liking).

Yesterday I started singing "Something I Can Never Have" from Trent Reznor's first album Pretty Hate Machine while listening to "Beside You In Time" from his latest, With Teeth. I figured they fit pretty well together, so when I got home I mixed 'em up.

Here's In Time I Can Never Have You.

Enjoy, if you like this sort of thing.

NOW WITH MORE NAILS IN THE COFFIN! (thanks Dave)

Whaddaya know, it became a trilogy.

Here's If She Says I Have To Apologize.

And here's That's What I Get In The World.

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23 April 2006

Received: The Sun

The title I owe to my Mom, who was talking about sunlight coming to the Elk Valley today after days of rain (and snow we enjoyed).



The sentiment I owe to my old heroes The Orb, whom I've discovered have a new album out last October! It's Dr Alex Paterson and Thomas Fehlmann this time around, so The Good Doctor's sense of nonsense is slightly tamped down by precise German discipline. But oh, what discipline it is!

Okie Dokie It's The Orb On Kompakt is a consistent delight in the ultra-modern style popularized by those inventive Krauts at Kompakt. If you're expecting kold, Kraftwerkian klockwork, you'll get some of that, but Dr Alex shines such lovely rays of sun across the proceedings that upon hearing this LP for the first time I knew summer (or at least spring) proper had arrived.

This is the third return to form by one of the bands responsible for my formative musical years. Like Erasure (Nightbird) and Front 242 (Pulse) before them, The Orb have shown me there were some very nice aural surprises to come back to after my own "return to form" at the end of last summer after a crippling illness.

An Orb is for life, not just for Christmas.

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20 April 2006

Music For Meaning

I've been digging for a blog topic a while now but nothing struck me. Probably because I've been too busy redesigning my website.

I finally found something - where I least expected it, as usual. I promised myself I would never do one of these things, but this is too entertaining to resist. Mostly because it's about meaning generation, and my favorite thing to dig for, after all, is meaning.

So, onward (and it should be noted Nox didn't tag me with this, I did it all by myself):

Instructions: set your iTunes on shuffle and use the song order to answer the following questions.



Q) How does the world see me?

A) Right Where It Belongs - Nine Inch Nails

What if all the world's inside of your head?
Just creations of your own
Your devils and your gods all the living and the dead
And you're really all alone
You can live in this illusion,
You can choose to believe.
You keep looking but you can't find the woods,
While you're hiding in the trees




Q) Will I live a happy life?

A) Alarm Call - Bjork

I have walked this earth
And watched people
I can be sincere
And say I like them

You can't say no to hope
Can't say no to happiness

I want to go on a mountaintop
With a radio and good batteries
And play a joyous tune and
Free the human race
From suffering

It doesn't scare me at all

I'm no ****ing Buddhist
But this is enlightenment

The less room you give me
The more space I've got

This is an alarm call
So wake up, wake up now
Today has never happened
And it doesn't frighten me

It doesn't scare me at all




Q) What do people really think of me?

A) Sex On The Flag - KMFDM

SEX ON THE FLAG, GIVE ME RESPECT OR GIVE ME DEATH
SEX ON THE FLAG, NO RESPONSIBILITY
SEX ON THE FLAG, YOU GOTTA HAVE SOME FANTASY
SEX ON THE FLAG, CRACK DOWN AND CRY FOR ME




Q) How can I make myself happy?

A) Work It To The Bone - LNR

Come on let's work
Come on let's work it to the bone bone bone
Gotta work it to the bone
Gotta work it to the bone
Gonna work you 'til you sweat
Gonna work you 'til you get wet
Come on work...to the bone bone bone




Q) What should I do with my life?

A) O Come, O Come, Emmanuel

O come, Thou Wisdom from on high,
Who orderest all things mightily;
To us the path of knowledge show,
And teach us in her ways to go.

O come, Thou Day-spring, come and cheer
Our spirits by Thine advent here;
Disperse the gloomy clouds of night,
And death's dark shadows put to flight.




Q) What is some good advice for me?

A) Drama! - Erasure

One rule for us, for you another
Do unto yourself as you see fit for your brother
Is that not within your realm of understanding?
Well then, poor unfortunate you
There are a myriad of things that you can do
Like pick up a pen and paper, or go and talk to a friend
The history of the future
No violence or revenge

Your shame is never...ending
Just one psychological drama after another
You are guilty, and how you ever entered into this life...
God only knows the infinite complexities of love




Q) What do I think my current theme song is?

A) Lips - Ambo

You know we say the damnedest things my love
We must see something here that's invisible to most
Her lips are slightly parted and wet and soft and full
They enrage and confuse and clarify my ideas
And when they speak they sometimes break my heart
I lift my eye for the help to come
I don't know what the help will look like




Q) What song will play at my funeral?

A) Knowing Me, Knowing You - Abba

No more carefree laughter
Silence ever after
Walking through an empty house, tears in my eyes
Here is where the story ends, this is goodbye

Knowing me, knowing you
There is nothing we can do
We just have to face it, this time we're through
Breaking up is never easy, I know but I have to go
Knowing me, knowing you
It's the best I can do

Memories, good days, bad days
They'll be, with me, always




Q) What is my day going to be like?

A) Masterhit (Parts 1 & 2) - Front 242

You know me and I sure know you...
Every one of you.

You seem so...tender

Give me some more of the warm little beasts
I'm so fond of

Master, I'm so glad to feel your presence
But you don't seem to share my impatience
I relied upon you to break the silence
I cannot understand your reluctance

Master, I feel so warm and I'm so happy, oh master
Give me some more of the warm little beasts
I'm so fond of

You seem so...
I could melt the frozen wall you raised between us
And now I'm on the other side, you seem rather surprised

Constricting viscous rings around your warm body
Holding you tied, holding you tied...and I feel so happy

You seem as tender
As the warm little beasts
I'm so fond of




Q) Why am I here?

A) Come To Me - Bjork

Come to me
I'll take care of you
Protect you
Calm, calm down
You're exhausted
Come lie down
You don't have to explain
I understand
You know
That I adore you
You know
That I love you

Jump off
Your building's on fire
And I'll catch you
I'll catch you
Destroy all that is keeping you back
And then I'll nurse you
I'll nurse you

Come to me
I'll take care of you
You don't have to explain
I understand




Q) What will people remember me for?

A) Tread Water - De La Soul

As I walked along my journey,
I thought 'What have I just learned?'
Always look to the positive and never drop your head
For the water will engulf us if we do not dare to tread
See I look past all my worries, which is something you must do
Though you're fed up, throw your head up
With this advice from me to you:
And that's to tread water




Q) What song will I get stuck in my head tomorrow?

A) All Apologies - Sinead O'Connor (written by Kurt Cobain)

What else should I be?
All apologies
What else could I say?
Everyone is gay
What else should I write?
I don't have the right
What else should I be?
All apologies

In the sun - in the sun I feel as one
In the sun - in the sun
I'm married
Buried

I wish I was like you
Easily amused
Find my nest of salt
Everything's my fault
I'll take all the blame
Aqua seafoam shame
Sun burn with freezerburn
Choking on the ashes of her enemy

In the sun - in the sun I feel as one
In the sun - in the sun
I'm married
Buried
Married
Buried

All alone is all we are




Q) Are there people outside waiting to take me away?

A) Black Dove (January) - Tori Amos

She was a January girl
She never let on how insane it was
In that tiny kinda scary house
By the woods, by the woods, by the woods, by the woods
By the woods, by the woods, by the woods, by the woods

Black-dove
Black-dove
You're not a helicopter
You're not a cop-out either
Black-dove
Black-dove
You don't need a space ship
They don't know you've already lived
On the other side of the galaxy




Q) What will this year be all about?

A) Is Blood - Ambo

What is blood, tell me is it blue?
Like a river, flows from me to you
Tributary of veins upon my wrist
All lead to a sea of pain and bliss

The sea is the heart, mind and soul
No one on this ocean has control
Not even God, He allows the choice
The ocean rages - I rejoice

Laughing and bleeding inside this storm
I look up, I scream and am forlorn
Back and forth I dream and deeply sleep
From nightmare to peaceful dreams I keep

I'll tell you a secret... listen well
I still taste Heaven, seized by Hell
And in this seizure that wars in my soul
I find great peace in flesh and bone

So war and wage within my sky blue blood
We'll build a bridge and cross over the flood


Tagging Mike, Neil, Art, "Spy Pucca", "Dark Knight" and "Enmity Bear" with this.

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03 April 2006

Hearts Filled With Seeds



If you're like me, your life was changed by a little multimedia CD-ROM released back at the top of the 90s by a small gang of very talented Spokane residents with a love for God, a well-nurtured sense of wonder, and an appreciation for exploration, discovery and revelation tempered by humility. That's a long-winded way to say Myst blew my socks off and inspired me to quit film school to start a company like Cyan.

But I'm here to talk about something different than a CD-ROM, though it also spins in your drive and at least one of the Cyan team is involved: my hero Robyn Miller, who in addition to imagining and helping bring to life the worlds of Myst also composed soundtracks for the game and its sequel Riven. Robyn went quiet for a few years after the latter, reportedly working on an animated film codenamed Green Tea. Then he appeared on the web (Tinselman, here) and later disclosed his recent creative efforts in the form of an album co-authored with friend Keith Moore. They call themselves Ambo, the project is 1000 Years and 1 Day, and it is a marvel.



I suppose you could label it prog rock, but that feels reductive. I don't really have a name for it myself, but there's Robyn's powerful atmospherics and abstract poetry married to Keith's plaintive vocal and crushing love songs. The biggest love here though, as noted above, is that for God. Hence the album's very real and persistent struggle with life, death, faith, sin, redemption and possible salvation for its "lead character", who is certainly abandoned and lovelorn, may or may not be a murderer, and eventually comes to terms with his grief and guilt to seek forgiveness. Whether he gets it remains in question, but I suggest you needn't take any one interpretation to heart. Robyn and Keith both seem willing to leave your experience of this art open, and that's a lovely confidence. Setting aside any lyrical reading, the music is outstanding in its invention and evocation.

So it's currently part of my life's soundtrack, and my work's too.

You can take a preview listen here: Ambo

If you're moved like I was, you can grab the whole thing at iTunes or CDBaby or Amazon.

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